I fear this may be the first in a fearsomely large number of volumes, as such 'things' occur so frequently, I have undoubtedly forgotten as many as I can remember already. I use the word 'things' as it can (and will) refer to everything from people and their habits to minor annoyances for which I am not entirely blameless. A reasonably futile task, but one which I hope will at least help get some things off my chest and, moreso, give me reason to waste time at work and ignore some of the more tedious things going on (as I write this, some arse is talking about how good the new Stereophonics single is on the radio).
Abba.
I'd never been overly fond of Abba. A few songs aside, I was largely unfamiliar with them until my mum aligned herself with every other British woman of her age and bought a copy of Abba Gold. It was on a family holiday to Austria, I believe, which resulted in the rest of my summer being ruined by 'S.O.S.'. Either way, it made moving from the bosom of my loving family a little eaiser when I started university, knowing the next time I heard 'Dancing Queen' I would no longer have to sit through eighteen more songs until the end of 'Waterloo' and my peace of mind.
It would be a blatant insult to the intelligence of anybody reading to spell out exactly where this is going, only to say Abba Gold is now coupled by the sodding Mamma Mia! soundtrack. The only thing worse than a collection of Abba songs is surely a collection of Abba songs covered by actors; not even the production can save this selection of insipid tripe in the way it did on some of the originals.
It's hard to put my finger on exactly what is wrong with Abba, although my use of the word insipid in the previous sentence comes close. The songs just hang in the air without inspiring or moving. Occasionally a nice melody comes through, but it is always backed by an excruciatingly predictable chord sequence.
"But," I hear the female population of England between the ages of forty and sixy-three cry, "they are a timeless, classic pop group!" This much I am willing to concede, and it's why I make no complaints if I hear an Abba song on the radio or television. It's to be expected. Twenty-plus track albums in their entirety every week? No thank you.
"But," I hear the rest of you cry, "you should expect it when you work in an office otherwise staffed by middle-aged women!" To this I reply: if they are so keen on nostalgia, why the bollocking hell did people complain when I played Pet Sounds or Bob Dylan?!
And for all this, I blame one woman...
The Office Haystack
Thank you to the chaps over at CaB for pointing me in the direction of this phrase. For those of you who aren't aware of the name, I'll describe our Haystack, which should work as an outline of persons to avoid in the office for future reference.
Middle aged lady. Permanent scowl on her face. Scowl backed up by a barrage of complaints about minor things. Blatant Daily Mail reader. Likes to walk into the office after lunch, ignore the fact you are listening to BBC Radio 6 online and turn her Abba CD on at twice the volume the radio is normally 'enjoyed' at. Offers everyone in the office a drink except the temp workers, despite them being treated as equals by all other staff. Likes to have an opinion on absolutely everything, and likes to think everybody else in the rooms is interested. Informs you there is no school called 'Springbank', and upon your discovery that there in fact is a school called 'Springbank' after a considerable discussion, informs you that you are complicating things, using 'Gordon Bennett' as a full stop. Believes she's saving money on Amazon because of the crossed out RRP prices. Reacts with shock and disgust when hearing about people who don't watch The X Factor. Is generally a fowl old bitch. On a related note...
No one attractive
Come on, NHS, would it be so painful to employ at least one attractive person in this office?
Awfully designed software
Patient records in this area are held on the most tedious piece of software I've ever had the sincere misfortune to use. If it worked like an entirely different platform, I'd be much more comfortable with it, but it's the horrendous misuse of Windows that gets to me. In particular, the bizarre function of the TAB key. When entering details of a new patient, TAB works correctly, skipping from text box to text box on each press. If, for instance, I wish to change an existing patient's address, however, the TAB key seems to do absolutely nothing (it, in fact, simply moves to the top of the page where nothing is selected). Even more frustrating is the software's complete refusal to acknowledge the shift-TAB function, which skips back a box.
Why? Why would anyone data software which runs by standard Windows rules, other than the function designed to speed up data entry? Jesus.
More to come when I'm less busy...